LOCRIAN – After Extinction (Official Video)
Well, I made another one. I don’t imagine it’s often possible to say you got to make a video for your favorite song from a favorite album, but here we are. I’m very proud of this one. I hope you enjoy. Many thanks to André and Locrian and Profound Lore for releasing it.
Goodbye, my sweet India. I will love and miss you forever.
Today, we helped my beloved India pass. I wrote the following this morning because I knew I would not be able to put these thoughts together tonight. Though we knew to some extent that this day was coming, you are never really prepared for its reality. As I write this, my beloved India is sleeping…
Sightless Pit’s “Resin on a Knife”
I made this. I’m very proud of it. It’s also the first music video I have made for an established act on an established record label. Dylan and Lee, who are the core members of Sightless Pit, are more commonly known for their work with their main groups, Full of Hell and The Body…
mrmoth | Planet Earth (Official Video)
Vermin Womb & Full of Hell at Legends in Cincinnati, Ohio
Our Wedding
Mastodon at the Agora Theatre, Cleveland, Ohio
MBKH
Kaylin Henry and I have an announcement to make:
New Work Up at Michael-Bird.com
New work has been added to both the digital imagery and multimedia sections of my Fine Art site, including pieces from this year’s faculty show that were not included in the exhibition. If you saw this year’s show, the first page of the digital imagery section is the sequence that was…
One from the Archives…
I’ve been going through the basement boxes lately and there’s a fair few good memories stored down there. Was chatting with @HolyMountainPrinting over on Instagram this morning about our shared love of Nick Cave and the Bad Seeds’ Let Love In album. It jogged my memory that I had…
Goodbye, my sweet India. I will love and miss you forever.
Today, we helped my beloved India pass. I wrote the following this morning because I knew I would not be able to put these thoughts together tonight. Though we knew to some extent that this day was coming, you are never really prepared for its reality. As I write…
My Faith and Ashland University’s Proposed Social Issue Policy
I am neither gay nor bisexual, nor am I a self-described Christian. When I was younger, I tried very hard to be a Christian. It seemed on the outside to be an irrefutably good idea. It didn’t take. Christ’s compassion and self-sacrifice to protect humanity…
Get up and get to work.
Hey, everyone. Get up and get to work. We have the means to make a more meaningful difference in our immediate communities than any President could. This peaceful exchange of power shifts the responsibility back to us as individuals to make things better. In a way, it…
A Little boy in Aleppo
I’ve been haunted by this footage all day and I don’t think you should be allowed to have a position on refugees without seeing it. This is what the survivors of Syria are running from. While it is possible, however unlikely, that terrorists might try to…
mrmoth | White Fragility
This was the last song that I demoed for the PPB. It was around the time that Ferguson and Baltimore were exploding. We were looking for a tune that we could pour into everything that we were feeling about the situation. That said, it wasn’t a good fit for the…
My Dismissal from the People’s Punk Band
I have been dismissed from the People’s Punk Band. What follows is a very long explanation of what happened. Sunlight is the best disinfectant and my position is that it would be best that, rather than let gossip and speculation run amok, I instead speak to what…
Vermin Womb & Full of Hell at Legends in Cincinnati, Ohio
Mastodon at the Agora Theatre, Cleveland, Ohio
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Bridges
Wetlands
HEALTH + Youth Code @ Grog Shop, Cleveland – 2019.04.21
A Collaboration Between Uniform & The Body
The Body and Uniform
Author and Punisher
Intensive Care
Eclipse Dogs
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Kaitlyn
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Vermin Womb & Full of Hell at Legends in Cincinnati, Ohio
Mastodon at the Agora Theatre, Cleveland, Ohio
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One from the Archives…
I’ve been going through the basement boxes lately and there’s a fair few good memories stored down there. Was chatting with @HolyMountainPrinting over on Instagram this morning about our shared love of Nick Cave and the Bad Seeds’ Let Love In album. It jogged my memory that I had recently rediscovered this cache of photos I had taken from back in my music press days.
They toured Lollapalooza just before that album dropped. That year’s line-up was super hip-hop centered (Beastie Boys, A Tribe Called Quest, George Clinton and the P-Funk all stars, and The Last Poets were all there and it was AWESOME). For that reason (I think), there was very low turnout for the Bad Seeds’ set. Boredoms and L7 had just played and destroyed, so I would have to expect some crossover appeal, for some reason, the front of the stage was practically empty.
Now, where normally bands restrict photography to the first three songs, the Bad Seeds let photographers shoot their whole set, so I just watched the whole thing at the foot of the stage with virtually no one anywhere near me. Nick locked onto me and basically sang straight down my lens the whole set. It was my first time ever hearing “Loverman” and “Red Right Hand.” They opened with “From Her to Eternity” and “Papa Won’t Leave you Henry” and I was literally tearing up and trying to shoot. I still get chills thinking about that set.
An interesting footnote to that day is that the show was a Monday and I had had an appendectomy on the Friday evening before. I knew I had been credentialed for the show and I knew I had a very good shot at getting to meet George Clinton, so I basically willed myself out of the hospital. If you don’t know, the qualifier for getting out of the hospital was that you had to demonstrate that you had a functioning digestive system, so I focused and freed myself with a regimen of Cracklin’ Oat Bran and Bran Muffins. I was out of the hospital Sunday afternoon and onto the show on Monday. I still had the stitches and basically walked the Lollapalooza concourse all day somewhat doubled over. It was totally worth it when I got to sit next to and interview George.
I have several great memories of that day. These are just a few.
HEALTH + Youth Code @ Grog Shop, Cleveland – 2019.04.21
A Collaboration Between Uniform & The Body
The Body and Uniform
Author and Punisher
Intensive Care
mrmoth: call on your stars
A song to celebrate a love that survives time and distance and changing circumstances. If the love you feel is genuine, it never leaves you.
mrmoth: under the god
“That men do not learn very much from the lessons of history is the most important of all the lessons of history.” -Aldous Huxley
Though it is hardly a unique sentiment, those who know me personally, know what a profound influence David Bowie was on me. I have spent the last year trying to determine the best way to pay tribute to the artist. There are certainly songs I love more than “Under the God” but few that feel more bleedingly relevant in the current political climate. I am confident this isn’t the last time I will cover him, but it is the song I am releasing on his birthday today.
This song is released EVERYWHERE this week. You’ll be able to listen on streaming services. You’ll be able to purchase it, stream it, shuffle it. All the stuff. It’s his birthday and here is the song. All proceeds from all methods of purchase, etc will go to Southern Poverty Law Center.
To be noted: the first musician I ever collaborated with on mrmoth was Bryan Leighty. We shared a common love of Bowie, and curiously enough, both really love the Tin Machine album (which isn’t that common among Bowie fans). Bryan plays bass on this song and indeed, in recording it, the thing didn’t really come together until I got Bryan’s part on it.
The cover art is by Areej Photography. She’s a brilliant Saudi artist and my friend.
Bidding goodbye to George Michael and 2016
George Michael was a man gifted with multiple blessings: Most notably, he possessed a beautiful, vulnerable voice that could go low and lusty, fierce and funky and then on a moment, soar into the elegant and emotional before settling into the elegiac. His voice was just as versatile authorially as his songwriting craft was refined over years studying pop, rhythm and blues, soul, hip-hop and jazz. Most of his recorded works wouldn’t be complete without visiting each style in some way and it wasn’t just restlessness: he had a dizzying acumen for arrangement in any style that suited him and most did.
Of course, his most obvious gift was that he was physically a very beautiful man, and that gift was a source of trouble for him over the years it seems. His reckoning with his image in the post-Faith era led him to abandon using his face for promotion altogether on his second album, the masterpiece, Listen Without Prejudice, Vol. I. His personal life, while sometimes quite visibly exploited in the press, was a personal one and no one outside of his inner circle likely knows the truth of how he spent his years. At the very least, with the exception of a couple of well-documented relationships, outwardly, and perhaps unfairly, it looked rather chaotic at times.
But this isn’t a music blog, nor a celebrity gossip blog and it shouldn’t be an obituary blog (though 2016 has threatened to turn it into one). This blog is about me and you may well wonder why it is that I am remembering a pop artist like George Michael on this page. Fair question. I’ve not exactly cultivated an image that would belie an appreciation for gay pop singers. Admittedly, it is a little out of keeping with my normal output.
In the hours after Michael’s death was publicized, Twitter switched into its odd, global-funeral-mode and George Michael fans spilled out of the woodwork. I follow former Thelonious Monster and Porno for Pyros bassist, Martyn LeNoble there and he noted, “I love that John Frusciante, @marklanegan @justinmj @justinwarfield and many of my friends share a love for @GeorgeMichael’s music. R.I.P.” These are people who have made aggressive, dark, albeit often beautiful music all speaking to their appreciation of the man’s legacy. So certainly, it cannot be so strange that I appreciated him too? In my own personal CD library a row or two of George Michael CDs sit just in front of Ministry. Those two acts sitting alongside each other there has always made me chuckle. There’s a dichotomous balance in that. I suspect they’d have more in common than most would guess.
I observed in my David Bowie remembrance earlier this year that certain artists served as surrogate fathers of sorts for me. Michael, who actually penned “Father Figure” was not one of these. Much closer to me in age than Bowie, I always rather thought of him as an older brother to my status as an only child. What was special and important about him to me was the way in which he wore his emotional vulnerability and frank sexuality on his sleeve. As a young adolescent, he was essential to traversing the terrain of heartache and lust that goes with those years. Each generation has one of these guys. My parents’ generation had Orbison. I think the so-called millennials have great women who serve that purpose, without any special regard to gender.
To be an artist is to take the most personal of life experience, look at it in different lights and elevate it in an ambiguous way so that many may approach it and find something in it to relate to. Michael was fearless in this. Notably, when he was exposed as gay through his infamous, Los Angeles bathroom arrest, he made a hilarious disco song and video out of it, putting equality for gay people in front of the revelation. He wasn’t seemingly afraid, or maybe he was, but he saw his truth through the doubts regardless.
Over the years, as I have in my small way, tried to champion gay causes, I have sometimes ironically observed that it’s one of my life’s great ironies that I didn’t actually end up gay myself. Certainly, I was accused of being gay frequently when I was young. I was a creative kid who in his small Kansas town, abandoned his football team before the last game of the season for the lead role in the school play. I listened to strange music made by people with wildly creative fashion sense, who sometimes wore make-up and flirted with sexual taboos and indeed, I sometimes mirrored these influences as much as I could get away with.
One of my most visceral memories of my teen years was taking six direct punches to the jaw from the town’s toughest dude, all for the unforgivable sin of wearing a white, naval waistcoat with gold buttons to a nightclub – hey… it was the 80’s. He later let it slip to others that he respected that I just took the shots, without crying or running… Great(?). I wasn’t normally one to not fight back, but the rumor in town was that he had actually stabbed someone and I had presence of mind to not try and make our uneven footing worse. Also, I worried that fighting might end up hurting the jacket.
I’ve always found it easy to be an ally to my gay friends because I never saw a difference between us (apart from the most obvious one). As far as the small-minded people in my town were concerned, I was gay enough. Perhaps, in a less direct way, it was because the people I had selected as family and friends were the ones I identified with and I wanted them to be protected. Certainly in a way I was not, being publicly attacked without cause.
To George Michael, I have a debt. Songs like “A Different Corner” and “Cowboys and Angels” saw me through some of the worst heartbreak a vulnerable young boy can experience. “Jesus to a Child,” and his masterful interpretation of Stevie Wonder’s “They Won’t Go When I Go” have been extremely important songs for me in my adult years. When you’re at the bottom of that ravine, any lifeline thrown to you from someone who’s traversed it and survived it is a blessing. Those are only a handful of songs among a rich catalog of original compositions and nearly definitive interpretations.
I was a lifetime fan and his infrequent, sporadic releases over the latter years were like letters from long lost friend you were once close to but whose path had taken them far afield. I worried for him when his health was threatened on his final world tour. One heard rumors one didn’t want to believe, and even now, I’m not even sure I want to know how his life slipped his grasp. I don’t suppose I will get a choice.
Having lost so many important musicians this year, it becomes apparent how important it is that we have this music. The flesh may not survive, but the spirit is locked in amber in the music, preserved for as long as they can hold the memories. George Michael has so many for me and his passing is an inconvenient yet inescapable reminder that this is only going to continue, eventually visiting everyone we know, until we are ourselves the subject of such remembrances.
It is the way with 2016 that these reminders have been nearly constant, and indeed this week, we’ve been reeling as a new one follows before we can even process the last. It’s too much at times, but it is the way of the future. If life has meaning, it is beautifully revealed in its loss. Our time is short and if we are lucky, we will touch and be touched by others before we pass on. It is only in embracing the new that the passing of others is endured. Goodbye 2016 and those who left us therein. Hello, 2017. Please bring us wonderful new possibilities to replace all the beautiful memories that 2016 has taken with it.
MB44
Ages ago, when I was in high school, instead of collecting signatures in my yearbooks, I would write song lyrics from songs significant to me from that year. As a way of marking the moment. To remember where and who I was just then. Several years ago, I started making mixes to mark my birthdays and sharing these mixes with my friends. So it’s my 44th birthday and I’m sharing the present with you. I hope you enjoy.
Nick Cave & The Bad Seeds’ Skeleton Tree
I don’t really do album reviews anymore, but I feel like saying something about this one. To me it’s whole unto itself and I’m not even sure I should be able to hear it. I waited til today to listen to it cause I knew what I was in for.
Music gets pretty abused in the process of selling it but something this personal and honest doesn’t deserve that. It shouldn’t be made to work the streets, if you follow my meaning. Advertising campaigns and vanity and logos and marketing strategies are all inappropriate for this one. Hipsters will be idiots for appropriating this album’s credibility to pad their depth on social media. This isn’t Spotify music. Commercials peppered throughout its running order would be offensive. Its pieces shouldn’t get inserted into your shuffle. I don’t get sanctimonious about too much these days but really: if you aren’t a mess when Else Torp comes and cracks the curtains on “Distant Sky” you’re not paying close enough attention.
I’ve heard a lot of music in my life – maybe too much – but I’ve never heard a record quite like this one. It definitely deserves some reverence. Certainly, it doesn’t deserve ironic detachment. Please don’t take a selfie with it. There’s my 2¢. I’m sure there’s plenty to disagree with.
LOCRIAN – After Extinction (Official Video)
Sightless Pit’s “Resin on a Knife”
I made this. I’m very proud of it. It’s also the first music video I have made for an established act on an established record label. Dylan and Lee, who are the core members of Sightless Pit, are more commonly known for their work with their main groups, Full of Hell and The Body respectively. If you’ve heard my birthday mixes in the last 10 or so years, of have seen me wearing a t-shirt during that same timespan, you’ll know getting to make this was a huge honor for me. Please enjoy.
New Work Up at Michael-Bird.com
New work has been added to both the digital imagery and multimedia sections of my Fine Art site, including pieces from this year’s faculty show that were not included in the exhibition. If you saw this year’s show, the first page of the digital imagery section is the sequence that was originally intended.